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foregrounding
UK
/ˈfɔːɡraʊndɪŋ/
US
/ˈfɔrɡraʊndɪŋ/
Библиотека
The amount of foreground.
photography
premier plan
La quantité de premier plan est l’un des éléments de composition qu’il identifie comme changeants.
A useful comment begins inside the frame
A complete original case with embedded dialogue and evidence limits.
Elena: I can say there is a bed on the right and a chair nearer the left foreground.
art
premier plan
Ici, le « premier plan » désigne la partie de l’image la plus proche du spectateur.
A Room in Words
A Room in Words — complete contextual material in English.
Elena: I can say there is a bed on the right and a chair nearer the left foreground.
art
premier plan à gauche
La zone à l’avant d’une image, sur son côté gauche.
A Room in Words
A Room in Words — complete contextual material in English.
Provisional caption: Hands align the seat while a clamp holds the joint, bringing the quiet work of repair into the foreground.
photography
premier plan
avant-plan
Employé au sens figuré : la légende attire l’attention du lecteur sur le travail de réparation.
A Chair Back in Use — Contact Sheet and Curator Record — accessible HTML
A Chair Back in Use — Contact Sheet and Curator Record — accessible HTML — complete contextual material in English.
Provisional caption: Hands align the seat while a clamp holds the joint, bringing the quiet work of repair into the foreground.
photography
au premier plan
Une expression figurée pour mettre quelque chose davantage en évidence ou le rendre plus visible.
A Chair Back in Use — Contact Sheet and Curator Record — accessible HTML
A Chair Back in Use — Contact Sheet and Curator Record — accessible HTML — complete contextual material in English.
It states that one description foregrounds urban organisation while the other foregrounds the encounter and its consequences.
history
mettre en avant
mettre au premier plan
Employé au sens figuré pour expliquer quel aspect des événements une source met en avant.
A City Seen Through Unequal Accounts
Write a paired-source exhibit label and explain its observation, judgment and missing-voice distinctions.
Foerster suggests that we may be here at a sort of foreground or borderland which is defended by the knight at the ford (v.
geography
avant-pays
Ici, « foreground » est employé dans un sens spatial pour désigner une zone située devant la frontière principale du royaume, et non le premier plan d’une image.
Four Arthurian Romances
"Four Arthurian Romances" by Chrétien de Troyes is a collection of medieval narratives written in the latter part of the 12th century. This work encompasses the stories of four heroes: Erec, Cligés, Yvain, and Lancelot, each exploring the themes of chivalry, romance, and adventure intertwined with the sophisticated ideals of courtly love. The romances reflect the rich tapestry of Arthurian legend, showcasing knights undertaking noble quests and engaging in battles for honor and love. The opening of "Four Arthurian Romances" introduces the tale of Erec and Enide, beginning with King Arthur's court and the announcement of a hunt for the elusive White Stag, which involves a significant and potentially troublesome tradition. Erec, a prominent knight, is drawn into conflict after a dwarf and a knight insult and strike a damsel at the court. Following this assault, Erec seeks to avenge the honor of the lady, embarking on a quest that leads him through various perils and encounters. His journey sets the stage for themes of valor and love as Erec strives to prove himself worthy, ultimately leading to his romantic involvement with Enide and the promise of her marriage. The romance illustrates not just action and adventure, but also explores the emotional and social dynamics of courtly life in a quintessential chivalric manner.
