Ressentir de la peur envers une personne ou une chose.
The Man Who Was Thursday: A Nightmare
"The Man Who Was Thursday: A Nightmare" by G. K. Chesterton is a philosophical novel with elements of adventure and satire, written in the late 19th century. The story revolves around the enigmatic character Gabriel Syme, a police detective who infiltrates a group of anarchists in London to uncover their plans and identities. As the narrative unfolds, it explores complex themes of order, chaos, and the nature of evil, often through witty dialogue and absurd situations that challenge conventional thinking. At the start of the novel, readers are introduced to the suburb of Saffron Park, with its colorful and eccentric inhabitants, primarily poets and artists. One evening, during a striking sunset, the anarchistic poet Lucian Gregory meets Gabriel Syme, who surprises him with bold arguments in favor of law and order, challenging Gregory's views. Their conversation escalates into a duel of ideologies when Gregory reveals his deep commitment to anarchism, which leads to a confrontation between the two. In a twist of fate, Syme's true identity as a detective is disclosed, and as he joins the anarchists disguised as one of them, the stage is set for a profound exploration of the philosophical conflict between chaos and structure in society.
“I am afraid my fury and your insult are too shocking to be wiped out even with an apology,” said Gregory very calmly.+2
general
j'ai bien peur
Formule polie utilisée pour adoucir une réponse désagréable ou négative.
The Man Who Was Thursday: A Nightmare
"The Man Who Was Thursday: A Nightmare" by G. K. Chesterton is a philosophical novel with elements of adventure and satire, written in the late 19th century. The story revolves around the enigmatic character Gabriel Syme, a police detective who infiltrates a group of anarchists in London to uncover their plans and identities. As the narrative unfolds, it explores complex themes of order, chaos, and the nature of evil, often through witty dialogue and absurd situations that challenge conventional thinking. At the start of the novel, readers are introduced to the suburb of Saffron Park, with its colorful and eccentric inhabitants, primarily poets and artists. One evening, during a striking sunset, the anarchistic poet Lucian Gregory meets Gabriel Syme, who surprises him with bold arguments in favor of law and order, challenging Gregory's views. Their conversation escalates into a duel of ideologies when Gregory reveals his deep commitment to anarchism, which leads to a confrontation between the two. In a twist of fate, Syme's true identity as a detective is disclosed, and as he joins the anarchists disguised as one of them, the stage is set for a profound exploration of the philosophical conflict between chaos and structure in society.
It's booked for Thursday the seventeenth at ten thirty, but I'm afraid I can no longer make that time.+1
scheduling
je regrette
Dans « je regrette », le locuteur indique poliment que l’horaire proposé ne convient pas.
Not Thursday After All
A complete fictional appointment-change case with fixed constraints, three alternatives, a misheard time and location, spelling, a full read-back and a written confirmation.
It's booked for Thursday the seventeenth at ten thirty, but I'm afraid I can no longer make that time.+1
general
j'ai bien peur que
Une formule d’atténuation polie utilisée avant d’annoncer une mauvaise nouvelle.
Not Thursday After All
A complete fictional appointment-change case with fixed constraints, three alternatives, a misheard time and location, spelling, a full read-back and a written confirmation.
I'm afraid I'm a degenerate.+1
general
j’ai bien peur
Un marqueur discursif poli utilisé pour introduire une information désagréable ou préoccupante.
The Yeoman Adventurer
"The Yeoman Adventurer" by George W. Gough is a historical novel likely written in the early 20th century. The story unfolds through the experiences of Oliver Wheatman, a yeoman, as he navigates life in a tumultuous period marked by the Jacobite uprisings, personal ambition, and romantic entanglements. The novel delves into themes of bravery, identity, and the quest for adventure against a backdrop of deep social and political upheaval. The opening of the book introduces Oliver Wheatman as he reflects on his life in a rural setting, immediately exposing his longing for adventure and the complexities of his relationships, especially with a character named Kate and her brother Jack Dobson, a soldier. As he witnesses soldiers marching and grapples with feelings of inadequacy, his fate intertwines with that of a captivating woman, Mistress Margaret Waynflete, who is entangled in the Jacobite cause. The chapter sets up a series of events where violence and danger emerge, ultimately leading Oliver to rescue Mistress Waynflete, and shapes the thrilling and romantic quest that defines the narrative.
The title ends with “but were afraid to ask.”
general
avoir peur de poser la question
Ne voulaient pas poser de question par peur ou par gêne ; ici, cela fait partie d’une formule de titre humoristique bien connue.
National Constitutions in European and Global Governance: Democracy, Rights, the Rule of Law: National Reports
This two-volume book, published open access, brings together leading scholars of constitutional law from twenty-nine European countries to revisit the role of national constitutions at a time when decision-making has increasingly shifted to the European and transnational level. It offers important insights into three areas. First, it explores how constitutions reflect the transfer of powers from domestic to European and global institutions. Secondly, it revisits substantive constitutional values, such as the protection of constitutional rights, the rule of law, democratic participation and constitutional review, along with constitutional court judgments that tackle the protection of these rights and values in the transnational context, e.g. with regard to the Data Retention Directive, the European Arrest Warrant, the ESM Treaty, and EU and IMF austerity measures. The responsiveness of the ECJ regarding the above rights and values, along with the standard of protection, is also assessed.
“Isis are afraid of girls”
military
ont peur des filles
S’emploie pour dire que les combattants ont peur des filles ou des femmes.
Disasters: Core Concepts and Ethical Theories
This Open Access Book is the first to examine disasters from a multidisciplinary perspective. Justification of actions in the face of disasters requires recourse both to conceptual analysis and ethical traditions. Part 1 of the book contains chapters on how disasters are conceptualized in different academic disciplines relevant to disasters. Part 2 has chapters on how ethical issues that arise in relation to disasters can be addressed from a number of fundamental normative approaches in moral and political philosophy. This book sets the stage for more focused normative debates given that no one book can be completely comprehensive.
Care professionals can be afraid of, distressed by, or worried about using new technology, its reliability, and the necessary competencies to use it, which can hamper technology acceptance [26].
general
avoir peur de
Éprouver de la peur ou de l’appréhension à propos de quelque chose ou de faire quelque chose.
Dementia Lab 2025: Ethics + Aesthetics in Design
This collection presents research on designing with and for people living with dementia. Its studies examine participatory methods, care environments, technology and everyday experiences, with attention to ethical questions and aesthetic engagement.
Nay, do not be afraid.
general
N’aie pas peur
Une parole rassurante disant à quelqu’un de ne pas avoir peur ni de s’inquiéter.
The Bridge-Builders
"The Bridge-Builders" by Rudyard Kipling is a short story written in the early 20th century. This narrative is steeped in the themes of engineering, resilience, and the interplay between human endeavor and nature, as it focuses on the arduous construction of a bridge over the Ganges River in India. The story addresses the challenges faced by its protagonist, Findlayson, and explores the relationship between the builders and the powerful forces of nature symbolized by the river. The tale revolves around Findlayson, the chief engineer overseeing the construction of the Kashi Bridge, and his assistant Hitchcock, as they confront an impending flood that threatens their work. Together, they navigate physical and bureaucratic challenges while managing a diverse team of workers, including Peroo, a skilled Lascar who plays a crucial role in the project's success. As the floodwaters rise, tensions mount, and the characters grapple with their fears and ambitions, leading to a climactic moment in which the bridge's fate hangs in the balance. This intersection of human skill and the unpredictable might of nature provides a rich backdrop for Kipling’s exploration of duty, sacrifice, and the enduring nature of human achievement amidst adversity.
Thereupon he took to flight, and after that he never turned his horse's head toward any knight, and were he to die for it, he would never do anything unless he saw in it his shame, disgrace, and dishonour; he even pretends to be afraid of all the knights who pass to and fro.
general
faire semblant d’avoir peur de
Feindre délibérément d’avoir peur de quelqu’un ou de quelque chose.
Four Arthurian Romances
"Four Arthurian Romances" by Chrétien de Troyes is a collection of medieval narratives written in the latter part of the 12th century. This work encompasses the stories of four heroes: Erec, Cligés, Yvain, and Lancelot, each exploring the themes of chivalry, romance, and adventure intertwined with the sophisticated ideals of courtly love. The romances reflect the rich tapestry of Arthurian legend, showcasing knights undertaking noble quests and engaging in battles for honor and love. The opening of "Four Arthurian Romances" introduces the tale of Erec and Enide, beginning with King Arthur's court and the announcement of a hunt for the elusive White Stag, which involves a significant and potentially troublesome tradition. Erec, a prominent knight, is drawn into conflict after a dwarf and a knight insult and strike a damsel at the court. Following this assault, Erec seeks to avenge the honor of the lady, embarking on a quest that leads him through various perils and encounters. His journey sets the stage for themes of valor and love as Erec strives to prove himself worthy, ultimately leading to his romantic involvement with Enide and the promise of her marriage. The romance illustrates not just action and adventure, but also explores the emotional and social dynamics of courtly life in a quintessential chivalric manner.
It is not strange that I am afraid of him.
general
avoir peur de
Ressentir de la peur envers une personne, une chose ou une situation.
Four Arthurian Romances
"Four Arthurian Romances" by Chrétien de Troyes is a collection of medieval narratives written in the latter part of the 12th century. This work encompasses the stories of four heroes: Erec, Cligés, Yvain, and Lancelot, each exploring the themes of chivalry, romance, and adventure intertwined with the sophisticated ideals of courtly love. The romances reflect the rich tapestry of Arthurian legend, showcasing knights undertaking noble quests and engaging in battles for honor and love. The opening of "Four Arthurian Romances" introduces the tale of Erec and Enide, beginning with King Arthur's court and the announcement of a hunt for the elusive White Stag, which involves a significant and potentially troublesome tradition. Erec, a prominent knight, is drawn into conflict after a dwarf and a knight insult and strike a damsel at the court. Following this assault, Erec seeks to avenge the honor of the lady, embarking on a quest that leads him through various perils and encounters. His journey sets the stage for themes of valor and love as Erec strives to prove himself worthy, ultimately leading to his romantic involvement with Enide and the promise of her marriage. The romance illustrates not just action and adventure, but also explores the emotional and social dynamics of courtly life in a quintessential chivalric manner.