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Contenuti multimediali
115
Testi
41
Filtri
93 and 94 of the Constitution, provide for the direct effect of treaty provisions that are ‘
binding on anyone
’and have duly been published, and award them primacy over conflicting provisions of national law.
+1
law
обязательные для всех
обязательный для любого лица
Имеющие обязательную юридическую силу для всех лиц, подпадающих под действие нормы.
National Constitutions in European and Global Governance: Democracy, Rights, the Rule of Law: National Reports
This two-volume book, published open access, brings together leading scholars of constitutional law from twenty-nine European countries to revisit the role of national constitutions at a time when decision-making has increasingly shifted to the European and transnational level. It offers important insights into three areas. First, it explores how constitutions reflect the transfer of powers from domestic to European and global institutions. Secondly, it revisits substantive constitutional values, such as the protection of constitutional rights, the rule of law, democratic participation and constitutional review, along with constitutional court judgments that tackle the protection of these rights and values in the transnational context, e.g. with regard to the Data Retention Directive, the European Arrest Warrant, the ESM Treaty, and EU and IMF austerity measures. The responsiveness of the ECJ regarding the above rights and values, along with the standard of protection, is also assessed.
If we fail to perform a duty of beneficence in this case, we do not
do injustice to anyone
and so we are not blameworthy.
philosophy
поступать несправедливо по отношению к кому-либо
Поступать с другим человеком несправедливо или причинять ему несправедливость.
Disasters: Core Concepts and Ethical Theories
This Open Access Book is the first to examine disasters from a multidisciplinary perspective. Justification of actions in the face of disasters requires recourse both to conceptual analysis and ethical traditions. Part 1 of the book contains chapters on how disasters are conceptualized in different academic disciplines relevant to disasters. Part 2 has chapters on how ethical issues that arise in relation to disasters can be addressed from a number of fundamental normative approaches in moral and political philosophy. This book sets the stage for more focused normative debates given that no one book can be completely comprehensive.
Situations such as forgetting to turn off water, electricity, and gas at home, accidental falls
without anyone noticing
, and accidental ingestion of various medications often occur among empty-nest or solitary elderly people.
safety
так, что никто этого не замечает
Так, что другие люди этого не замечают.
The AI City
This book develops the concept of an artificial intelligence city and examines its theoretical foundations, technologies and applications. Practical cases explore how urban planning and intelligent systems can support city development, services and management.
This time, she was to leave immediately
without seeing or saying goodbye to anyone
and, thanks to the Tsarist decision-makers, the mobile ‘border’now included the space around the artist.
history
не увидевшись и не попрощавшись ни с кем
Уехать, не увидевшись и не попрощавшись ни с кем.
European Theatre Migrants in the Age of Empire
This collection examines the journeys and working lives of European theatre practitioners during the age of empire. Historical case studies explore migration, performance, cultural exchange and the political conditions shaping theatrical careers across national borders.
Do not
add anyone to a group chat
or reserve a place before they agree.
event
добавлять кого-либо в групповой чат
Включить человека в групповой чат.
Riverside Sketch Club: options and newcomer card
Accessible representation of the independent PDF and its original visual. Same document, not a third independent material.
Eva writes the agreement
without blaming anyone
.
general
не обвиняя никого
Делать что-либо или описывать ситуацию, не возлагая вину на кого-либо.
The Bag That Filled Up Every Evening
Complete case with a natural discussion, evidence and conclusion.
She
had not seen anyone take the bag
.
crime
не видела, как кто-то забрал сумку
Отрицательная форма глагола «видеть» с указанием человека и начальной формы глагола обозначает, что действие не наблюдали.
The Bag Was Missing, but the Time Was Not Certain
A complete original case with dialogue, evidence and a bounded outcome.
A less useful statement is:
You never care about anyone
.
communication
Тебе никогда нет дела до других.
Обобщающее обвинение в том, что человеку в целом нет дела до других; здесь оно приводится как пример неудачной формулировки.
Two Routines and a Two-Week Agreement
One complete fictional case with bounded options, a model exchange, evidence-aware conclusion and a supplied transfer task.
He reaches his lodgings
without being recognised by any one
.
general
не будучи узнанным никем
Оставаться неузнанным, поскольку никто не узнаёт этого человека.
Four Arthurian Romances
"Four Arthurian Romances" by Chrétien de Troyes is a collection of medieval narratives written in the latter part of the 12th century. This work encompasses the stories of four heroes: Erec, Cligés, Yvain, and Lancelot, each exploring the themes of chivalry, romance, and adventure intertwined with the sophisticated ideals of courtly love. The romances reflect the rich tapestry of Arthurian legend, showcasing knights undertaking noble quests and engaging in battles for honor and love. The opening of "Four Arthurian Romances" introduces the tale of Erec and Enide, beginning with King Arthur's court and the announcement of a hunt for the elusive White Stag, which involves a significant and potentially troublesome tradition. Erec, a prominent knight, is drawn into conflict after a dwarf and a knight insult and strike a damsel at the court. Following this assault, Erec seeks to avenge the honor of the lady, embarking on a quest that leads him through various perils and encounters. His journey sets the stage for themes of valor and love as Erec strives to prove himself worthy, ultimately leading to his romantic involvement with Enide and the promise of her marriage. The romance illustrates not just action and adventure, but also explores the emotional and social dynamics of courtly life in a quintessential chivalric manner.
Then he delays and hesitates no longer, but adjusts his head within the noose until it rests about his neck; and in order that he may not fail to harm himself, he fastens the end of the belt tightly about the saddle-bow,
without attracting the attention of any one
.
general
не привлекая ничьего внимания
Делая что-либо так, чтобы никто этого не заметил.
Four Arthurian Romances
"Four Arthurian Romances" by Chrétien de Troyes is a collection of medieval narratives written in the latter part of the 12th century. This work encompasses the stories of four heroes: Erec, Cligés, Yvain, and Lancelot, each exploring the themes of chivalry, romance, and adventure intertwined with the sophisticated ideals of courtly love. The romances reflect the rich tapestry of Arthurian legend, showcasing knights undertaking noble quests and engaging in battles for honor and love. The opening of "Four Arthurian Romances" introduces the tale of Erec and Enide, beginning with King Arthur's court and the announcement of a hunt for the elusive White Stag, which involves a significant and potentially troublesome tradition. Erec, a prominent knight, is drawn into conflict after a dwarf and a knight insult and strike a damsel at the court. Following this assault, Erec seeks to avenge the honor of the lady, embarking on a quest that leads him through various perils and encounters. His journey sets the stage for themes of valor and love as Erec strives to prove himself worthy, ultimately leading to his romantic involvement with Enide and the promise of her marriage. The romance illustrates not just action and adventure, but also explores the emotional and social dynamics of courtly life in a quintessential chivalric manner.
However, in deference to you, I will consent to wait until to-morrow; but
despite what any one may say
, longer I will not wait.
general
несмотря на то, что кто бы ни говорил
Несмотря на высказывания или возражения других людей.
Four Arthurian Romances
"Four Arthurian Romances" by Chrétien de Troyes is a collection of medieval narratives written in the latter part of the 12th century. This work encompasses the stories of four heroes: Erec, Cligés, Yvain, and Lancelot, each exploring the themes of chivalry, romance, and adventure intertwined with the sophisticated ideals of courtly love. The romances reflect the rich tapestry of Arthurian legend, showcasing knights undertaking noble quests and engaging in battles for honor and love. The opening of "Four Arthurian Romances" introduces the tale of Erec and Enide, beginning with King Arthur's court and the announcement of a hunt for the elusive White Stag, which involves a significant and potentially troublesome tradition. Erec, a prominent knight, is drawn into conflict after a dwarf and a knight insult and strike a damsel at the court. Following this assault, Erec seeks to avenge the honor of the lady, embarking on a quest that leads him through various perils and encounters. His journey sets the stage for themes of valor and love as Erec strives to prove himself worthy, ultimately leading to his romantic involvement with Enide and the promise of her marriage. The romance illustrates not just action and adventure, but also explores the emotional and social dynamics of courtly life in a quintessential chivalric manner.
I wish him clearly to understand that, if he can maintain himself against thee, he
need have no fear of any one else
.
general
не нужно бояться никого другого
Уверение, что нет причин бояться кого-либо ещё.
Four Arthurian Romances
"Four Arthurian Romances" by Chrétien de Troyes is a collection of medieval narratives written in the latter part of the 12th century. This work encompasses the stories of four heroes: Erec, Cligés, Yvain, and Lancelot, each exploring the themes of chivalry, romance, and adventure intertwined with the sophisticated ideals of courtly love. The romances reflect the rich tapestry of Arthurian legend, showcasing knights undertaking noble quests and engaging in battles for honor and love. The opening of "Four Arthurian Romances" introduces the tale of Erec and Enide, beginning with King Arthur's court and the announcement of a hunt for the elusive White Stag, which involves a significant and potentially troublesome tradition. Erec, a prominent knight, is drawn into conflict after a dwarf and a knight insult and strike a damsel at the court. Following this assault, Erec seeks to avenge the honor of the lady, embarking on a quest that leads him through various perils and encounters. His journey sets the stage for themes of valor and love as Erec strives to prove himself worthy, ultimately leading to his romantic involvement with Enide and the promise of her marriage. The romance illustrates not just action and adventure, but also explores the emotional and social dynamics of courtly life in a quintessential chivalric manner.
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