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can't
UK
/kɑːnt/
US
/kænt/
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“Now we
can’t depend on anything
.
general
ни на что нельзя положиться
Не иметь возможности ни на что положиться.
The Bridge-Builders
"The Bridge-Builders" by Rudyard Kipling is a short story written in the early 20th century. This narrative is steeped in the themes of engineering, resilience, and the interplay between human endeavor and nature, as it focuses on the arduous construction of a bridge over the Ganges River in India. The story addresses the challenges faced by its protagonist, Findlayson, and explores the relationship between the builders and the powerful forces of nature symbolized by the river. The tale revolves around Findlayson, the chief engineer overseeing the construction of the Kashi Bridge, and his assistant Hitchcock, as they confront an impending flood that threatens their work. Together, they navigate physical and bureaucratic challenges while managing a diverse team of workers, including Peroo, a skilled Lascar who plays a crucial role in the project's success. As the floodwaters rise, tensions mount, and the characters grapple with their fears and ambitions, leading to a climactic moment in which the bridge's fate hangs in the balance. This intersection of human skill and the unpredictable might of nature provides a rich backdrop for Kipling’s exploration of duty, sacrifice, and the enduring nature of human achievement amidst adversity.
‘No,’ said Smeaton, ‘
I’m sorry I can’t
.’ ‘What!’
general
Извините, но я не могу
Вежливый способ извиниться, отказывая или говоря, что вы не можете что-либо сделать.
Records of a Family of Engineers
"Records of a Family of Engineers" by Robert Louis Stevenson is a historical account written in the early 20th century. The book delves into the lineage of the Stevenson family, particularly focusing on their contributions as engineers and their experiences across generations in Scotland, intertwining personal anecdotes with broader historical narratives. The opening of the book introduces the reader to the Stevenson family tree, tracing their surname's evolution and historical context from the 13th century onward. It reveals a lineage that has faced both successes and tragedies, with a particular focus on the early lives of James Stevenson, his brother Hugh, and their heir, Robert Stevenson. The text sketches their aspirations, marriages, and struggles, ultimately painting a portrait of a family deeply rooted in the engineering profession, set against the backdrop of the rugged Scottish landscape and societal changes of their time. This initial section not only captures the essence of their individual experiences but sets the stage for further exploration of the family's lasting impact on engineering.
We'd keep the event free and avoid promising refreshments we
can't afford
.
finance
не можем себе позволить
Не иметь достаточно денег или средств на что-либо.
A Cheaper Room Is Not the Whole Decision
A complete original fictional case with context, contrasting interpretations, a developed exchange and a resolution.
I
can't promise both tasks
.
business
не могу обещать выполнить обе задачи
Сообщить, что не можешь взять на себя обязательство выполнить обе задачи.
The Extra Slides Before Friday
A complete original fictional case with context, contrasting interpretations, a developed exchange and a resolution.
A black woman said of the song, “
It can’t be sung without
a full heart and a troubled sperrit.”
music
нельзя спеть без
Пассивная конструкция: песню нельзя исполнить, если отсутствует указанное качество или условие.
The Souls of Black Folk
"The Souls of Black Folk" by W. E. B. Du Bois is a collection of essays published in 1903. This groundbreaking work explores the African-American experience through personal observations and social analysis. Du Bois introduces influential concepts like "double consciousness"—the experience of viewing oneself through both one's own eyes and those of a prejudiced society—and "the veil" that separates black and white Americans. Through essays on education, freedom, and justice, he examines the color line dividing races and argues for voting rights, quality education, and equal treatment.
Can’t make anything at that
.
finance
при такой цене ничего не заработаешь
Говорящий считает, что при предложенной цене или таких условиях невозможно получить прибыль.
The Souls of Black Folk
"The Souls of Black Folk" by W. E. B. Du Bois is a collection of essays published in 1903. This groundbreaking work explores the African-American experience through personal observations and social analysis. Du Bois introduces influential concepts like "double consciousness"—the experience of viewing oneself through both one's own eyes and those of a prejudiced society—and "the veil" that separates black and white Americans. Through essays on education, freedom, and justice, he examines the color line dividing races and argues for voting rights, quality education, and equal treatment.
If you don’t look up you can’t get up
,’” remarks Jackson, philosophically.
general
Если не поднимешь глаза, не сможешь подняться
Иносказательное условие: нужно стремиться вверх, чтобы подняться над своим положением.
The Souls of Black Folk
"The Souls of Black Folk" by W. E. B. Du Bois is a collection of essays published in 1903. This groundbreaking work explores the African-American experience through personal observations and social analysis. Du Bois introduces influential concepts like "double consciousness"—the experience of viewing oneself through both one's own eyes and those of a prejudiced society—and "the veil" that separates black and white Americans. Through essays on education, freedom, and justice, he examines the color line dividing races and argues for voting rights, quality education, and equal treatment.
We
can’t think of
a wicked man who is honestly and sincerely dreamy, because we daren’t think of a wicked man alone with himself.
psychology
не можем представить себе
Быть не в состоянии представить или вообразить кого-либо или что-либо.
The Man Who Was Thursday: A Nightmare
"The Man Who Was Thursday: A Nightmare" by G. K. Chesterton is a philosophical novel with elements of adventure and satire, written in the late 19th century. The story revolves around the enigmatic character Gabriel Syme, a police detective who infiltrates a group of anarchists in London to uncover their plans and identities. As the narrative unfolds, it explores complex themes of order, chaos, and the nature of evil, often through witty dialogue and absurd situations that challenge conventional thinking. At the start of the novel, readers are introduced to the suburb of Saffron Park, with its colorful and eccentric inhabitants, primarily poets and artists. One evening, during a striking sunset, the anarchistic poet Lucian Gregory meets Gabriel Syme, who surprises him with bold arguments in favor of law and order, challenging Gregory's views. Their conversation escalates into a duel of ideologies when Gregory reveals his deep commitment to anarchism, which leads to a confrontation between the two. In a twist of fate, Syme's true identity as a detective is disclosed, and as he joins the anarchists disguised as one of them, the stage is set for a profound exploration of the philosophical conflict between chaos and structure in society.
“And somehow,” concluded Bull, “that’s why I
can’t help liking
old Sunday.
general
не могу не любить
Не быть в состоянии удержаться от симпатии к кому-либо или чему-либо.
The Man Who Was Thursday: A Nightmare
"The Man Who Was Thursday: A Nightmare" by G. K. Chesterton is a philosophical novel with elements of adventure and satire, written in the late 19th century. The story revolves around the enigmatic character Gabriel Syme, a police detective who infiltrates a group of anarchists in London to uncover their plans and identities. As the narrative unfolds, it explores complex themes of order, chaos, and the nature of evil, often through witty dialogue and absurd situations that challenge conventional thinking. At the start of the novel, readers are introduced to the suburb of Saffron Park, with its colorful and eccentric inhabitants, primarily poets and artists. One evening, during a striking sunset, the anarchistic poet Lucian Gregory meets Gabriel Syme, who surprises him with bold arguments in favor of law and order, challenging Gregory's views. Their conversation escalates into a duel of ideologies when Gregory reveals his deep commitment to anarchism, which leads to a confrontation between the two. In a twist of fate, Syme's true identity as a detective is disclosed, and as he joins the anarchists disguised as one of them, the stage is set for a profound exploration of the philosophical conflict between chaos and structure in society.
“I think,” said Dr. Bull with precision, “that I am lying in bed at No. 217 Peabody Buildings, and that I shall soon wake up with a jump; or, if that’s not it, I think that I am sitting in a small cushioned cell in Hanwell, and that the doctor
can’t make much of my case
.
medicine
не может разобраться в моём случае
Доктор не может понять или диагностировать необычное состояние говорящего.
The Man Who Was Thursday: A Nightmare
"The Man Who Was Thursday: A Nightmare" by G. K. Chesterton is a philosophical novel with elements of adventure and satire, written in the late 19th century. The story revolves around the enigmatic character Gabriel Syme, a police detective who infiltrates a group of anarchists in London to uncover their plans and identities. As the narrative unfolds, it explores complex themes of order, chaos, and the nature of evil, often through witty dialogue and absurd situations that challenge conventional thinking. At the start of the novel, readers are introduced to the suburb of Saffron Park, with its colorful and eccentric inhabitants, primarily poets and artists. One evening, during a striking sunset, the anarchistic poet Lucian Gregory meets Gabriel Syme, who surprises him with bold arguments in favor of law and order, challenging Gregory's views. Their conversation escalates into a duel of ideologies when Gregory reveals his deep commitment to anarchism, which leads to a confrontation between the two. In a twist of fate, Syme's true identity as a detective is disclosed, and as he joins the anarchists disguised as one of them, the stage is set for a profound exploration of the philosophical conflict between chaos and structure in society.
“I tell you it
can’t be
!”
general
не может быть
Усиленное выражение недоверия или отрицания.
The Man Who Was Thursday: A Nightmare
"The Man Who Was Thursday: A Nightmare" by G. K. Chesterton is a philosophical novel with elements of adventure and satire, written in the late 19th century. The story revolves around the enigmatic character Gabriel Syme, a police detective who infiltrates a group of anarchists in London to uncover their plans and identities. As the narrative unfolds, it explores complex themes of order, chaos, and the nature of evil, often through witty dialogue and absurd situations that challenge conventional thinking. At the start of the novel, readers are introduced to the suburb of Saffron Park, with its colorful and eccentric inhabitants, primarily poets and artists. One evening, during a striking sunset, the anarchistic poet Lucian Gregory meets Gabriel Syme, who surprises him with bold arguments in favor of law and order, challenging Gregory's views. Their conversation escalates into a duel of ideologies when Gregory reveals his deep commitment to anarchism, which leads to a confrontation between the two. In a twist of fate, Syme's true identity as a detective is disclosed, and as he joins the anarchists disguised as one of them, the stage is set for a profound exploration of the philosophical conflict between chaos and structure in society.
“No,
I can’t believe it
.
general
Я не могу в это поверить
Восклицание, выражающее недоверие к услышанному или увиденному.
The Man Who Was Thursday: A Nightmare
"The Man Who Was Thursday: A Nightmare" by G. K. Chesterton is a philosophical novel with elements of adventure and satire, written in the late 19th century. The story revolves around the enigmatic character Gabriel Syme, a police detective who infiltrates a group of anarchists in London to uncover their plans and identities. As the narrative unfolds, it explores complex themes of order, chaos, and the nature of evil, often through witty dialogue and absurd situations that challenge conventional thinking. At the start of the novel, readers are introduced to the suburb of Saffron Park, with its colorful and eccentric inhabitants, primarily poets and artists. One evening, during a striking sunset, the anarchistic poet Lucian Gregory meets Gabriel Syme, who surprises him with bold arguments in favor of law and order, challenging Gregory's views. Their conversation escalates into a duel of ideologies when Gregory reveals his deep commitment to anarchism, which leads to a confrontation between the two. In a twist of fate, Syme's true identity as a detective is disclosed, and as he joins the anarchists disguised as one of them, the stage is set for a profound exploration of the philosophical conflict between chaos and structure in society.
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