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debased
UK
/dɪˈbeɪst/
US
/dɪˈbeɪst/
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In doing so, he does not
debase
himself, nor diminish his honour in any way.
+3
history
унижать
принижать
Здесь debase означает морально опуститься или утратить достоинство; храбрость олицетворена как сила, которая отказывается так поступать.
Four Arthurian Romances
"Four Arthurian Romances" by Chrétien de Troyes is a collection of medieval narratives written in the latter part of the 12th century. This work encompasses the stories of four heroes: Erec, Cligés, Yvain, and Lancelot, each exploring the themes of chivalry, romance, and adventure intertwined with the sophisticated ideals of courtly love. The romances reflect the rich tapestry of Arthurian legend, showcasing knights undertaking noble quests and engaging in battles for honor and love. The opening of "Four Arthurian Romances" introduces the tale of Erec and Enide, beginning with King Arthur's court and the announcement of a hunt for the elusive White Stag, which involves a significant and potentially troublesome tradition. Erec, a prominent knight, is drawn into conflict after a dwarf and a knight insult and strike a damsel at the court. Following this assault, Erec seeks to avenge the honor of the lady, embarking on a quest that leads him through various perils and encounters. His journey sets the stage for themes of valor and love as Erec strives to prove himself worthy, ultimately leading to his romantic involvement with Enide and the promise of her marriage. The romance illustrates not just action and adventure, but also explores the emotional and social dynamics of courtly life in a quintessential chivalric manner.
Indeed, he never so
debased himself
as to speak any ill of you compared with the gracious things he has said.
literature
унижал себя
унижал собственное достоинство или самоуважение
Four Arthurian Romances
"Four Arthurian Romances" by Chrétien de Troyes is a collection of medieval narratives written in the latter part of the 12th century. This work encompasses the stories of four heroes: Erec, Cligés, Yvain, and Lancelot, each exploring the themes of chivalry, romance, and adventure intertwined with the sophisticated ideals of courtly love. The romances reflect the rich tapestry of Arthurian legend, showcasing knights undertaking noble quests and engaging in battles for honor and love. The opening of "Four Arthurian Romances" introduces the tale of Erec and Enide, beginning with King Arthur's court and the announcement of a hunt for the elusive White Stag, which involves a significant and potentially troublesome tradition. Erec, a prominent knight, is drawn into conflict after a dwarf and a knight insult and strike a damsel at the court. Following this assault, Erec seeks to avenge the honor of the lady, embarking on a quest that leads him through various perils and encounters. His journey sets the stage for themes of valor and love as Erec strives to prove himself worthy, ultimately leading to his romantic involvement with Enide and the promise of her marriage. The romance illustrates not just action and adventure, but also explores the emotional and social dynamics of courtly life in a quintessential chivalric manner.
Certainly Love did not
debase itself
when it joined these two, for it seems to them, when they embrace and kiss each other, that all the world must be better for their joy and happiness.
literature
унижать себя
Снижать собственное достоинство или значимость.
Four Arthurian Romances
"Four Arthurian Romances" by Chrétien de Troyes is a collection of medieval narratives written in the latter part of the 12th century. This work encompasses the stories of four heroes: Erec, Cligés, Yvain, and Lancelot, each exploring the themes of chivalry, romance, and adventure intertwined with the sophisticated ideals of courtly love. The romances reflect the rich tapestry of Arthurian legend, showcasing knights undertaking noble quests and engaging in battles for honor and love. The opening of "Four Arthurian Romances" introduces the tale of Erec and Enide, beginning with King Arthur's court and the announcement of a hunt for the elusive White Stag, which involves a significant and potentially troublesome tradition. Erec, a prominent knight, is drawn into conflict after a dwarf and a knight insult and strike a damsel at the court. Following this assault, Erec seeks to avenge the honor of the lady, embarking on a quest that leads him through various perils and encounters. His journey sets the stage for themes of valor and love as Erec strives to prove himself worthy, ultimately leading to his romantic involvement with Enide and the promise of her marriage. The romance illustrates not just action and adventure, but also explores the emotional and social dynamics of courtly life in a quintessential chivalric manner.
The emperor was pleased with this request, and gladly gave them his daughter; for in doing so, he does not
debase himself
, nor diminish his honour in any way.
history
унижать себя
Понижать собственное достоинство или положение.
Four Arthurian Romances
"Four Arthurian Romances" by Chrétien de Troyes is a collection of medieval narratives written in the latter part of the 12th century. This work encompasses the stories of four heroes: Erec, Cligés, Yvain, and Lancelot, each exploring the themes of chivalry, romance, and adventure intertwined with the sophisticated ideals of courtly love. The romances reflect the rich tapestry of Arthurian legend, showcasing knights undertaking noble quests and engaging in battles for honor and love. The opening of "Four Arthurian Romances" introduces the tale of Erec and Enide, beginning with King Arthur's court and the announcement of a hunt for the elusive White Stag, which involves a significant and potentially troublesome tradition. Erec, a prominent knight, is drawn into conflict after a dwarf and a knight insult and strike a damsel at the court. Following this assault, Erec seeks to avenge the honor of the lady, embarking on a quest that leads him through various perils and encounters. His journey sets the stage for themes of valor and love as Erec strives to prove himself worthy, ultimately leading to his romantic involvement with Enide and the promise of her marriage. The romance illustrates not just action and adventure, but also explores the emotional and social dynamics of courtly life in a quintessential chivalric manner.
Caricature has sought again to spoil the quaint beauty of the music, and has filled the air with many
debased melodies
which vulgar ears scarce know from the real.
music
искажённые мелодии
Мелодии, искажённые или ухудшенные по сравнению с оригиналом.
The Souls of Black Folk
"The Souls of Black Folk" by W. E. B. Du Bois is a collection of essays published in 1903. This groundbreaking work explores the African-American experience through personal observations and social analysis. Du Bois introduces influential concepts like "double consciousness"—the experience of viewing oneself through both one's own eyes and those of a prejudiced society—and "the veil" that separates black and white Americans. Through essays on education, freedom, and justice, he examines the color line dividing races and argues for voting rights, quality education, and equal treatment.
consists largely of
debased imitations of
Negro melodies
music
искажённые подражания чему-либо
Ухудшенные или искажённые копии оригинальных произведений или стилей.
The Souls of Black Folk
"The Souls of Black Folk" by W. E. B. Du Bois is a collection of essays published in 1903. This groundbreaking work explores the African-American experience through personal observations and social analysis. Du Bois introduces influential concepts like "double consciousness"—the experience of viewing oneself through both one's own eyes and those of a prejudiced society—and "the veil" that separates black and white Americans. Through essays on education, freedom, and justice, he examines the color line dividing races and argues for voting rights, quality education, and equal treatment.
Who would
debase himself to be merely brave
, like any common prizefighter?
literature
унижать себя, становясь всего лишь храбрым
Понижать своё достоинство, проявляя лишь обычную физическую храбрость.
The Man Who Was Thursday: A Nightmare
"The Man Who Was Thursday: A Nightmare" by G. K. Chesterton is a philosophical novel with elements of adventure and satire, written in the late 19th century. The story revolves around the enigmatic character Gabriel Syme, a police detective who infiltrates a group of anarchists in London to uncover their plans and identities. As the narrative unfolds, it explores complex themes of order, chaos, and the nature of evil, often through witty dialogue and absurd situations that challenge conventional thinking. At the start of the novel, readers are introduced to the suburb of Saffron Park, with its colorful and eccentric inhabitants, primarily poets and artists. One evening, during a striking sunset, the anarchistic poet Lucian Gregory meets Gabriel Syme, who surprises him with bold arguments in favor of law and order, challenging Gregory's views. Their conversation escalates into a duel of ideologies when Gregory reveals his deep commitment to anarchism, which leads to a confrontation between the two. In a twist of fate, Syme's true identity as a detective is disclosed, and as he joins the anarchists disguised as one of them, the stage is set for a profound exploration of the philosophical conflict between chaos and structure in society.
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