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disagreeing
UK
/ˌdɪsəˈɡriːɪŋ/
US
/ˌdɪsəˈɡriɪŋ/
disagreeing about
disagreeing on
disagreeing over
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When the Trinity House can, they do not appoint two keepers, they
disagree
so ill.
social
не ладить
Здесь означает, что два смотрителя плохо ладят друг с другом, а не просто придерживаются разных мнений.
Records of a Family of Engineers
"Records of a Family of Engineers" by Robert Louis Stevenson is a historical account written in the early 20th century. The book delves into the lineage of the Stevenson family, particularly focusing on their contributions as engineers and their experiences across generations in Scotland, intertwining personal anecdotes with broader historical narratives. The opening of the book introduces the reader to the Stevenson family tree, tracing their surname's evolution and historical context from the 13th century onward. It reveals a lineage that has faced both successes and tragedies, with a particular focus on the early lives of James Stevenson, his brother Hugh, and their heir, Robert Stevenson. The text sketches their aspirations, marriages, and struggles, ultimately painting a portrait of a family deeply rooted in the engineering profession, set against the backdrop of the rugged Scottish landscape and societal changes of their time. This initial section not only captures the essence of their individual experiences but sets the stage for further exploration of the family's lasting impact on engineering.
When the Trinity House can, they do not appoint two keepers, they
disagree so ill
.
maritime
так плохо ладить
Устаревший способ сказать, что два человека очень плохо ладят.
Records of a Family of Engineers
"Records of a Family of Engineers" by Robert Louis Stevenson is a historical account written in the early 20th century. The book delves into the lineage of the Stevenson family, particularly focusing on their contributions as engineers and their experiences across generations in Scotland, intertwining personal anecdotes with broader historical narratives. The opening of the book introduces the reader to the Stevenson family tree, tracing their surname's evolution and historical context from the 13th century onward. It reveals a lineage that has faced both successes and tragedies, with a particular focus on the early lives of James Stevenson, his brother Hugh, and their heir, Robert Stevenson. The text sketches their aspirations, marriages, and struggles, ultimately painting a portrait of a family deeply rooted in the engineering profession, set against the backdrop of the rugged Scottish landscape and societal changes of their time. This initial section not only captures the essence of their individual experiences but sets the stage for further exploration of the family's lasting impact on engineering.
They could
disagree about
the strongest image.
general
не соглашаться по поводу
Иметь разные мнения по какому-либо вопросу.
A useful comment begins inside the frame
A complete original case with embedded dialogue and evidence limits.
Lena
disagreed
with both parts of that plan.
general
не согласиться
Лена не согласилась ни с одной частью предложения Омара.
The pancakes that would not pour
A complete original case with embedded dialogue and evidence limits.
Lena
disagreed with
both parts of that plan.
general
не соглашаться с
Иметь иное мнение, чем кто-либо, или не принимать чью-либо идею или план.
The pancakes that would not pour
A complete original case with embedded dialogue and evidence limits.
Mara
disagreed
.
communication
не соглашаться
Мара не принимает предложение Бена.
Closed on the Screen, Dark on the Street
A complete original case with dialogue, evidence and a bounded outcome.
Visitors could now
disagree
about the explanation.
general
не соглашаться
Посетители расходятся во мнениях относительно объяснения, но согласны насчёт того, что показывают карты.
What Changed Beside the River?
Residents compare two original dated land-use maps of a fictional town and separate measured change from speculation about causes.
Visitors could now
disagree about the explanation
while still agreeing on what the two maps actually showed.
history
расходиться во мнениях относительно объяснения
Иметь разные мнения о трактовке или причине чего-либо.
What Changed Beside the River?
Residents compare two original dated land-use maps of a fictional town and separate measured change from speculation about causes.
But, beastly as they are, they generally have the one merit of
disagreeing with each other
.
politics
не соглашаться друг с другом
Находиться в несогласии друг с другом.
The Man Who Was Thursday: A Nightmare
"The Man Who Was Thursday: A Nightmare" by G. K. Chesterton is a philosophical novel with elements of adventure and satire, written in the late 19th century. The story revolves around the enigmatic character Gabriel Syme, a police detective who infiltrates a group of anarchists in London to uncover their plans and identities. As the narrative unfolds, it explores complex themes of order, chaos, and the nature of evil, often through witty dialogue and absurd situations that challenge conventional thinking. At the start of the novel, readers are introduced to the suburb of Saffron Park, with its colorful and eccentric inhabitants, primarily poets and artists. One evening, during a striking sunset, the anarchistic poet Lucian Gregory meets Gabriel Syme, who surprises him with bold arguments in favor of law and order, challenging Gregory's views. Their conversation escalates into a duel of ideologies when Gregory reveals his deep commitment to anarchism, which leads to a confrontation between the two. In a twist of fate, Syme's true identity as a detective is disclosed, and as he joins the anarchists disguised as one of them, the stage is set for a profound exploration of the philosophical conflict between chaos and structure in society.
I disagree
; but I hope at least that he is always a sportsman.
general
я не согласен
Прямой способ сказать, что вы не разделяете чьё-либо мнение.
The Man Who Was Thursday: A Nightmare
"The Man Who Was Thursday: A Nightmare" by G. K. Chesterton is a philosophical novel with elements of adventure and satire, written in the late 19th century. The story revolves around the enigmatic character Gabriel Syme, a police detective who infiltrates a group of anarchists in London to uncover their plans and identities. As the narrative unfolds, it explores complex themes of order, chaos, and the nature of evil, often through witty dialogue and absurd situations that challenge conventional thinking. At the start of the novel, readers are introduced to the suburb of Saffron Park, with its colorful and eccentric inhabitants, primarily poets and artists. One evening, during a striking sunset, the anarchistic poet Lucian Gregory meets Gabriel Syme, who surprises him with bold arguments in favor of law and order, challenging Gregory's views. Their conversation escalates into a duel of ideologies when Gregory reveals his deep commitment to anarchism, which leads to a confrontation between the two. In a twist of fate, Syme's true identity as a detective is disclosed, and as he joins the anarchists disguised as one of them, the stage is set for a profound exploration of the philosophical conflict between chaos and structure in society.
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