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disproportion
UK
/ˌdɪsprəˈpɔːʃən/
US
/ˌdɪsprəˈpɔrʃən/
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a sense of
disproportion
between the warmth of the adoration felt and the nature of the woman
literature
несоразмерность
Рассказчик замечает несоразмерность между силой обожания и характером женщины, каким его описывали или наблюдали.
Records of a Family of Engineers
"Records of a Family of Engineers" by Robert Louis Stevenson is a historical account written in the early 20th century. The book delves into the lineage of the Stevenson family, particularly focusing on their contributions as engineers and their experiences across generations in Scotland, intertwining personal anecdotes with broader historical narratives. The opening of the book introduces the reader to the Stevenson family tree, tracing their surname's evolution and historical context from the 13th century onward. It reveals a lineage that has faced both successes and tragedies, with a particular focus on the early lives of James Stevenson, his brother Hugh, and their heir, Robert Stevenson. The text sketches their aspirations, marriages, and struggles, ultimately painting a portrait of a family deeply rooted in the engineering profession, set against the backdrop of the rugged Scottish landscape and societal changes of their time. This initial section not only captures the essence of their individual experiences but sets the stage for further exploration of the family's lasting impact on engineering.
He had been struck with
a sense of disproportion between
the warmth of the adoration felt and the nature of the woman.
general
ощущение несоразмерности между
Ощущение, что две вещи не соответствуют друг другу по масштабу, степени или значимости.
Records of a Family of Engineers
"Records of a Family of Engineers" by Robert Louis Stevenson is a historical account written in the early 20th century. The book delves into the lineage of the Stevenson family, particularly focusing on their contributions as engineers and their experiences across generations in Scotland, intertwining personal anecdotes with broader historical narratives. The opening of the book introduces the reader to the Stevenson family tree, tracing their surname's evolution and historical context from the 13th century onward. It reveals a lineage that has faced both successes and tragedies, with a particular focus on the early lives of James Stevenson, his brother Hugh, and their heir, Robert Stevenson. The text sketches their aspirations, marriages, and struggles, ultimately painting a portrait of a family deeply rooted in the engineering profession, set against the backdrop of the rugged Scottish landscape and societal changes of their time. This initial section not only captures the essence of their individual experiences but sets the stage for further exploration of the family's lasting impact on engineering.
I admit that there may be
a slight disproportion
, let us say, between the inner arrangements of this excellent hotel and its simple and unpretentious exterior.
architecture
небольшая несоразмерность
Небольшое несоответствие или несбалансированность между двумя вещами; здесь — между интерьером и внешним видом отеля.
The Man Who Was Thursday: A Nightmare
"The Man Who Was Thursday: A Nightmare" by G. K. Chesterton is a philosophical novel with elements of adventure and satire, written in the late 19th century. The story revolves around the enigmatic character Gabriel Syme, a police detective who infiltrates a group of anarchists in London to uncover their plans and identities. As the narrative unfolds, it explores complex themes of order, chaos, and the nature of evil, often through witty dialogue and absurd situations that challenge conventional thinking. At the start of the novel, readers are introduced to the suburb of Saffron Park, with its colorful and eccentric inhabitants, primarily poets and artists. One evening, during a striking sunset, the anarchistic poet Lucian Gregory meets Gabriel Syme, who surprises him with bold arguments in favor of law and order, challenging Gregory's views. Their conversation escalates into a duel of ideologies when Gregory reveals his deep commitment to anarchism, which leads to a confrontation between the two. In a twist of fate, Syme's true identity as a detective is disclosed, and as he joins the anarchists disguised as one of them, the stage is set for a profound exploration of the philosophical conflict between chaos and structure in society.
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