Library

A FERN STAND +10
furniture
подставка
стойка
В заголовке имеется в виду подставка для журналов.
Mission Furniture: How to Make It, Part 3
"Mission Furniture: How to Make It, Part 3" by H. H. Windsor is a practical handbook written in the early 20th century, specifically in 1912. This instructional guide falls under the genre of DIY (Do It Yourself) manuals, focusing on the craftsmanship of mission-style furniture. It is part of a series published under the Popular Mechanics brand, indicating an emphasis on accessible, easily understood information for woodworking enthusiasts of varying skill levels. The opening portion of the book introduces the reader to various projects involved in building mission-style furniture. It outlines the materials and dimensions required for constructing different pieces, including a piano bench, library table, princess dresser, sewing box, and fern stand, among others. Each piece includes detailed instructions on measuring, cutting, and assembling, showcasing Windsor's intention to empower readers to create their own furniture at home. This section serves as an introduction to the comprehensive guidance on crafting that follows in the subsequent chapters, appealing to both novice and experienced woodworkers.
Mission Furniture: How to Make It, Part 3
After this had stood several hours, or until it had had time to penetrate the wood, the surplus liquid was wiped off with a flannel cloth. +5
woodworking
выстояться
постоять
стоять; оставаться нетронутым
оставить постоять
В инструкциях по отделке let a coat stand означает оставить слой в покое на указанное время.
Mission Furniture: How to Make It, Part 3
"Mission Furniture: How to Make It, Part 3" by H. H. Windsor is a practical handbook written in the early 20th century, specifically in 1912. This instructional guide falls under the genre of DIY (Do It Yourself) manuals, focusing on the craftsmanship of mission-style furniture. It is part of a series published under the Popular Mechanics brand, indicating an emphasis on accessible, easily understood information for woodworking enthusiasts of varying skill levels. The opening portion of the book introduces the reader to various projects involved in building mission-style furniture. It outlines the materials and dimensions required for constructing different pieces, including a piano bench, library table, princess dresser, sewing box, and fern stand, among others. Each piece includes detailed instructions on measuring, cutting, and assembling, showcasing Windsor's intention to empower readers to create their own furniture at home. This section serves as an introduction to the comprehensive guidance on crafting that follows in the subsequent chapters, appealing to both novice and experienced woodworkers.
Mission Furniture: How to Make It, Part 3
large wooden stands for the use of the Queen +3
sport
трибуна
место для зрителей
Здесь, вероятно, имеется в виду возвышенный помост или трибуна, к которой ведут ступени; точное мероприятие не названо.
Four Arthurian Romances
"Four Arthurian Romances" by Chrétien de Troyes is a collection of medieval narratives written in the latter part of the 12th century. This work encompasses the stories of four heroes: Erec, Cligés, Yvain, and Lancelot, each exploring the themes of chivalry, romance, and adventure intertwined with the sophisticated ideals of courtly love. The romances reflect the rich tapestry of Arthurian legend, showcasing knights undertaking noble quests and engaging in battles for honor and love. The opening of "Four Arthurian Romances" introduces the tale of Erec and Enide, beginning with King Arthur's court and the announcement of a hunt for the elusive White Stag, which involves a significant and potentially troublesome tradition. Erec, a prominent knight, is drawn into conflict after a dwarf and a knight insult and strike a damsel at the court. Following this assault, Erec seeks to avenge the honor of the lady, embarking on a quest that leads him through various perils and encounters. His journey sets the stage for themes of valor and love as Erec strives to prove himself worthy, ultimately leading to his romantic involvement with Enide and the promise of her marriage. The romance illustrates not just action and adventure, but also explores the emotional and social dynamics of courtly life in a quintessential chivalric manner.
Four Arthurian Romances
The dwarf, who was rude and mean, took his stand in the middle of the road, and said: "You have no business here. +3
general
позиция
оборона
последний оборонительный бой
В выражении last stand слово обозначает последний оборонительный бой, когда поражение уже близко.
Four Arthurian Romances
"Four Arthurian Romances" by Chrétien de Troyes is a collection of medieval narratives written in the latter part of the 12th century. This work encompasses the stories of four heroes: Erec, Cligés, Yvain, and Lancelot, each exploring the themes of chivalry, romance, and adventure intertwined with the sophisticated ideals of courtly love. The romances reflect the rich tapestry of Arthurian legend, showcasing knights undertaking noble quests and engaging in battles for honor and love. The opening of "Four Arthurian Romances" introduces the tale of Erec and Enide, beginning with King Arthur's court and the announcement of a hunt for the elusive White Stag, which involves a significant and potentially troublesome tradition. Erec, a prominent knight, is drawn into conflict after a dwarf and a knight insult and strike a damsel at the court. Following this assault, Erec seeks to avenge the honor of the lady, embarking on a quest that leads him through various perils and encounters. His journey sets the stage for themes of valor and love as Erec strives to prove himself worthy, ultimately leading to his romantic involvement with Enide and the promise of her marriage. The romance illustrates not just action and adventure, but also explores the emotional and social dynamics of courtly life in a quintessential chivalric manner.
Four Arthurian Romances
The dwarf, who was rude and mean, took his stand in the middle of the road, and said: "You have no business here. +3
warfare
занял позицию
заняла своё место
занять позицию
занять свою позицию
Намеренно занял позицию, особенно чтобы преградить кому-либо путь или противостоять ему.
Four Arthurian Romances
"Four Arthurian Romances" by Chrétien de Troyes is a collection of medieval narratives written in the latter part of the 12th century. This work encompasses the stories of four heroes: Erec, Cligés, Yvain, and Lancelot, each exploring the themes of chivalry, romance, and adventure intertwined with the sophisticated ideals of courtly love. The romances reflect the rich tapestry of Arthurian legend, showcasing knights undertaking noble quests and engaging in battles for honor and love. The opening of "Four Arthurian Romances" introduces the tale of Erec and Enide, beginning with King Arthur's court and the announcement of a hunt for the elusive White Stag, which involves a significant and potentially troublesome tradition. Erec, a prominent knight, is drawn into conflict after a dwarf and a knight insult and strike a damsel at the court. Following this assault, Erec seeks to avenge the honor of the lady, embarking on a quest that leads him through various perils and encounters. His journey sets the stage for themes of valor and love as Erec strives to prove himself worthy, ultimately leading to his romantic involvement with Enide and the promise of her marriage. The romance illustrates not just action and adventure, but also explores the emotional and social dynamics of courtly life in a quintessential chivalric manner.
Four Arthurian Romances
standing into the bay of Wick +2
nautical
направляться
направляться; идти курсом
держать курс
В этом морском значении судно «stood towards» — держало курс в указанном направлении.
Records of a Family of Engineers
"Records of a Family of Engineers" by Robert Louis Stevenson is a historical account written in the early 20th century. The book delves into the lineage of the Stevenson family, particularly focusing on their contributions as engineers and their experiences across generations in Scotland, intertwining personal anecdotes with broader historical narratives. The opening of the book introduces the reader to the Stevenson family tree, tracing their surname's evolution and historical context from the 13th century onward. It reveals a lineage that has faced both successes and tragedies, with a particular focus on the early lives of James Stevenson, his brother Hugh, and their heir, Robert Stevenson. The text sketches their aspirations, marriages, and struggles, ultimately painting a portrait of a family deeply rooted in the engineering profession, set against the backdrop of the rugged Scottish landscape and societal changes of their time. This initial section not only captures the essence of their individual experiences but sets the stage for further exploration of the family's lasting impact on engineering.
Records of a Family of Engineers
She can stand for part of a journey if necessary. +2
travel
стоять
ехать стоя
Возможно, Мине придётся ехать без места и стоять.
The Connection Is Gone—What Still Works?
A complete fictional rail-disruption case combining a through-ticket, two delay notices, three replacement routes, a service-desk negotiation and the final written confirmation.
There would soon have been a merry strife if the others had dared to stand their ground. +2
warfare
стоять на своём
не отступать
Отказываться отступать или уступать в столкновении.
Four Arthurian Romances
"Four Arthurian Romances" by Chrétien de Troyes is a collection of medieval narratives written in the latter part of the 12th century. This work encompasses the stories of four heroes: Erec, Cligés, Yvain, and Lancelot, each exploring the themes of chivalry, romance, and adventure intertwined with the sophisticated ideals of courtly love. The romances reflect the rich tapestry of Arthurian legend, showcasing knights undertaking noble quests and engaging in battles for honor and love. The opening of "Four Arthurian Romances" introduces the tale of Erec and Enide, beginning with King Arthur's court and the announcement of a hunt for the elusive White Stag, which involves a significant and potentially troublesome tradition. Erec, a prominent knight, is drawn into conflict after a dwarf and a knight insult and strike a damsel at the court. Following this assault, Erec seeks to avenge the honor of the lady, embarking on a quest that leads him through various perils and encounters. His journey sets the stage for themes of valor and love as Erec strives to prove himself worthy, ultimately leading to his romantic involvement with Enide and the promise of her marriage. The romance illustrates not just action and adventure, but also explores the emotional and social dynamics of courtly life in a quintessential chivalric manner.
Four Arthurian Romances
“Vassal,” says he, “stand back! +2
general
отойти назад
отойдите
Отойти от кого-либо или чего-либо и держаться на расстоянии.
Four Arthurian Romances
"Four Arthurian Romances" by Chrétien de Troyes is a collection of medieval narratives written in the latter part of the 12th century. This work encompasses the stories of four heroes: Erec, Cligés, Yvain, and Lancelot, each exploring the themes of chivalry, romance, and adventure intertwined with the sophisticated ideals of courtly love. The romances reflect the rich tapestry of Arthurian legend, showcasing knights undertaking noble quests and engaging in battles for honor and love. The opening of "Four Arthurian Romances" introduces the tale of Erec and Enide, beginning with King Arthur's court and the announcement of a hunt for the elusive White Stag, which involves a significant and potentially troublesome tradition. Erec, a prominent knight, is drawn into conflict after a dwarf and a knight insult and strike a damsel at the court. Following this assault, Erec seeks to avenge the honor of the lady, embarking on a quest that leads him through various perils and encounters. His journey sets the stage for themes of valor and love as Erec strives to prove himself worthy, ultimately leading to his romantic involvement with Enide and the promise of her marriage. The romance illustrates not just action and adventure, but also explores the emotional and social dynamics of courtly life in a quintessential chivalric manner.
Four Arthurian Romances
So these figures seemed to stand up, violent and unaccountable, against an ultimate horizon, visions from the verge. +2
general
вырисовываться
выделяться
встать
Подняться на ноги из сидячего или другого положения.
The Man Who Was Thursday: A Nightmare
"The Man Who Was Thursday: A Nightmare" by G. K. Chesterton is a philosophical novel with elements of adventure and satire, written in the late 19th century. The story revolves around the enigmatic character Gabriel Syme, a police detective who infiltrates a group of anarchists in London to uncover their plans and identities. As the narrative unfolds, it explores complex themes of order, chaos, and the nature of evil, often through witty dialogue and absurd situations that challenge conventional thinking. At the start of the novel, readers are introduced to the suburb of Saffron Park, with its colorful and eccentric inhabitants, primarily poets and artists. One evening, during a striking sunset, the anarchistic poet Lucian Gregory meets Gabriel Syme, who surprises him with bold arguments in favor of law and order, challenging Gregory's views. Their conversation escalates into a duel of ideologies when Gregory reveals his deep commitment to anarchism, which leads to a confrontation between the two. In a twist of fate, Syme's true identity as a detective is disclosed, and as he joins the anarchists disguised as one of them, the stage is set for a profound exploration of the philosophical conflict between chaos and structure in society.
The Man Who Was Thursday: A Nightmare
And why do you stand aside from us both? +2
general
держаться в стороне
отошла в сторону
отойти в сторону
Отойти или оставаться в стороне, часто чтобы освободить место или понаблюдать за чем-либо.
The Yeoman Adventurer
"The Yeoman Adventurer" by George W. Gough is a historical novel likely written in the early 20th century. The story unfolds through the experiences of Oliver Wheatman, a yeoman, as he navigates life in a tumultuous period marked by the Jacobite uprisings, personal ambition, and romantic entanglements. The novel delves into themes of bravery, identity, and the quest for adventure against a backdrop of deep social and political upheaval. The opening of the book introduces Oliver Wheatman as he reflects on his life in a rural setting, immediately exposing his longing for adventure and the complexities of his relationships, especially with a character named Kate and her brother Jack Dobson, a soldier. As he witnesses soldiers marching and grapples with feelings of inadequacy, his fate intertwines with that of a captivating woman, Mistress Margaret Waynflete, who is entangled in the Jacobite cause. The chapter sets up a series of events where violence and danger emerge, ultimately leading Oliver to rescue Mistress Waynflete, and shapes the thrilling and romantic quest that defines the narrative.
The Yeoman Adventurer
As the spy crept near, Master Freake stood up, wheeled round on him smartly, and said, "How d'ye do, Turnditch?" +2
general
встать
подняться на ноги из сидячего или лежачего положения
The Yeoman Adventurer
"The Yeoman Adventurer" by George W. Gough is a historical novel likely written in the early 20th century. The story unfolds through the experiences of Oliver Wheatman, a yeoman, as he navigates life in a tumultuous period marked by the Jacobite uprisings, personal ambition, and romantic entanglements. The novel delves into themes of bravery, identity, and the quest for adventure against a backdrop of deep social and political upheaval. The opening of the book introduces Oliver Wheatman as he reflects on his life in a rural setting, immediately exposing his longing for adventure and the complexities of his relationships, especially with a character named Kate and her brother Jack Dobson, a soldier. As he witnesses soldiers marching and grapples with feelings of inadequacy, his fate intertwines with that of a captivating woman, Mistress Margaret Waynflete, who is entangled in the Jacobite cause. The chapter sets up a series of events where violence and danger emerge, ultimately leading Oliver to rescue Mistress Waynflete, and shapes the thrilling and romantic quest that defines the narrative.
The Yeoman Adventurer