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battering
UK
/ˈbæt.ər.ɪŋ/
US
/ˈbæt.ɚ.ɪŋ/
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Twenty minutes later, the
batter
sat in a heavy pile on the spoon.
+2
cooking
тесто
жидкое тесто
Batter — это сырая смесь для приготовления блинов; обычно она жиже, чем тесто для хлеба.
The pancakes that would not pour
A complete original case with embedded dialogue and evidence limits.
Batter
falls in a heavy lump.
+1
cooking
жидкое тесто
Неприготовленная смесь, используемая для приготовления блинов или панкейков, о которых говорится в тексте.
Batch B: kitchen handover
Accessible representation of the independent PDF and its original visual. Same document, not a third independent material.
they
batter
and crush the hauberks
+1
warfare
разбивать
колотить
Здесь batter означает многократно и сильно бить по чему-либо.
Four Arthurian Romances
"Four Arthurian Romances" by Chrétien de Troyes is a collection of medieval narratives written in the latter part of the 12th century. This work encompasses the stories of four heroes: Erec, Cligés, Yvain, and Lancelot, each exploring the themes of chivalry, romance, and adventure intertwined with the sophisticated ideals of courtly love. The romances reflect the rich tapestry of Arthurian legend, showcasing knights undertaking noble quests and engaging in battles for honor and love. The opening of "Four Arthurian Romances" introduces the tale of Erec and Enide, beginning with King Arthur's court and the announcement of a hunt for the elusive White Stag, which involves a significant and potentially troublesome tradition. Erec, a prominent knight, is drawn into conflict after a dwarf and a knight insult and strike a damsel at the court. Following this assault, Erec seeks to avenge the honor of the lady, embarking on a quest that leads him through various perils and encounters. His journey sets the stage for themes of valor and love as Erec strives to prove himself worthy, ultimately leading to his romantic involvement with Enide and the promise of her marriage. The romance illustrates not just action and adventure, but also explores the emotional and social dynamics of courtly life in a quintessential chivalric manner.
end and
batter
the end of the rod so they will not slip off.
woodworking
расклепать
Здесь batter означает расклепать конец стержня, чтобы шайбы не соскальзывали.
Mission Furniture: How to Make It, Part 3
"Mission Furniture: How to Make It, Part 3" by H. H. Windsor is a practical handbook written in the early 20th century, specifically in 1912. This instructional guide falls under the genre of DIY (Do It Yourself) manuals, focusing on the craftsmanship of mission-style furniture. It is part of a series published under the Popular Mechanics brand, indicating an emphasis on accessible, easily understood information for woodworking enthusiasts of varying skill levels. The opening portion of the book introduces the reader to various projects involved in building mission-style furniture. It outlines the materials and dimensions required for constructing different pieces, including a piano bench, library table, princess dresser, sewing box, and fern stand, among others. Each piece includes detailed instructions on measuring, cutting, and assembling, showcasing Windsor's intention to empower readers to create their own furniture at home. This section serves as an introduction to the comprehensive guidance on crafting that follows in the subsequent chapters, appealing to both novice and experienced woodworkers.
End and
batter the end of the rod
so they will not slip off.
engineering
расклепать конец стержня
Ударяя молотком, деформировать конец стержня, чтобы шайбы не соскользнули.
Mission Furniture: How to Make It, Part 3
"Mission Furniture: How to Make It, Part 3" by H. H. Windsor is a practical handbook written in the early 20th century, specifically in 1912. This instructional guide falls under the genre of DIY (Do It Yourself) manuals, focusing on the craftsmanship of mission-style furniture. It is part of a series published under the Popular Mechanics brand, indicating an emphasis on accessible, easily understood information for woodworking enthusiasts of varying skill levels. The opening portion of the book introduces the reader to various projects involved in building mission-style furniture. It outlines the materials and dimensions required for constructing different pieces, including a piano bench, library table, princess dresser, sewing box, and fern stand, among others. Each piece includes detailed instructions on measuring, cutting, and assembling, showcasing Windsor's intention to empower readers to create their own furniture at home. This section serves as an introduction to the comprehensive guidance on crafting that follows in the subsequent chapters, appealing to both novice and experienced woodworkers.
purposely
battered
the letters
printing
повредить
разбить
Описывает, как рабочие намеренно повреждали металлические печатные литеры.
Men of Invention and Industry
"Men of Invention and Industry" by Samuel Smiles is a historical account likely written in the late 19th century. The book examines the lives and contributions of various inventors and industrialists, highlighting their impact on society, particularly within British industry, with an emphasis on significant advancements such as shipbuilding and steam power. The opening of the book sets the stage with a discussion of the early history of English shipbuilding, beginning with the figure of Phineas Pett. It explores the humble beginnings of the British navy and the advancements made under historical figures like Henry VIII. Various early challenges in shipbuilding are elucidated, alongside the importance of foreign expertise in developing England’s maritime capabilities. The narrative illustrates a shift from a heavy reliance on importing goods and expertise to a burgeoning English independence in shipbuilding and trade, paving the way for a stronger national identity tied to maritime innovation.
Follow normal ingredient/allergen and cooking checks;
never taste raw batter
.
cooking
никогда не пробуйте сырое тесто
Предупреждение о безопасности: не пробуйте тесто до приготовления.
Batch B: kitchen handover
Accessible representation of the independent PDF and its original visual. Same document, not a third independent material.
Nobody tasted
raw batter
.
cooking
сырое жидкое тесто
Смесь для выпечки или жарки, которую ещё не приготовили.
The pancakes that would not pour
A complete original case with embedded dialogue and evidence limits.
Mix the
batter
; spread it in a tray; add sliced apples; bake; leave it to cool before cutting.
cooking
жидкое тесто
Жидкое тесто — это смесь, которую распределяют по противню перед выпеканием.
Kitchen Interview Record: Tomas’s Apple Traybake
Accessible representation of the independent transfer-case PDF. Same document, not an extra reading material.
Mix the batter
; spread it in a tray; add sliced apples; bake; leave it to cool before cutting.
cooking
смешайте жидкое тесто
Соедините ингредиенты жидкого теста.
Kitchen Interview Record: Tomas’s Apple Traybake
Accessible representation of the independent transfer-case PDF. Same document, not an extra reading material.
they give each other such a
battering
combat
избиение
Battering — это продолжительная серия сильных ударов.
Four Arthurian Romances
"Four Arthurian Romances" by Chrétien de Troyes is a collection of medieval narratives written in the latter part of the 12th century. This work encompasses the stories of four heroes: Erec, Cligés, Yvain, and Lancelot, each exploring the themes of chivalry, romance, and adventure intertwined with the sophisticated ideals of courtly love. The romances reflect the rich tapestry of Arthurian legend, showcasing knights undertaking noble quests and engaging in battles for honor and love. The opening of "Four Arthurian Romances" introduces the tale of Erec and Enide, beginning with King Arthur's court and the announcement of a hunt for the elusive White Stag, which involves a significant and potentially troublesome tradition. Erec, a prominent knight, is drawn into conflict after a dwarf and a knight insult and strike a damsel at the court. Following this assault, Erec seeks to avenge the honor of the lady, embarking on a quest that leads him through various perils and encounters. His journey sets the stage for themes of valor and love as Erec strives to prove himself worthy, ultimately leading to his romantic involvement with Enide and the promise of her marriage. The romance illustrates not just action and adventure, but also explores the emotional and social dynamics of courtly life in a quintessential chivalric manner.
For they
give each other such a battering
with their pommels upon the helmets that they are quite stunned, as they almost beat out each other's brains.
combat
так сильно избивать друг друга
Очень сильно избивать друг друга.
Four Arthurian Romances
"Four Arthurian Romances" by Chrétien de Troyes is a collection of medieval narratives written in the latter part of the 12th century. This work encompasses the stories of four heroes: Erec, Cligés, Yvain, and Lancelot, each exploring the themes of chivalry, romance, and adventure intertwined with the sophisticated ideals of courtly love. The romances reflect the rich tapestry of Arthurian legend, showcasing knights undertaking noble quests and engaging in battles for honor and love. The opening of "Four Arthurian Romances" introduces the tale of Erec and Enide, beginning with King Arthur's court and the announcement of a hunt for the elusive White Stag, which involves a significant and potentially troublesome tradition. Erec, a prominent knight, is drawn into conflict after a dwarf and a knight insult and strike a damsel at the court. Following this assault, Erec seeks to avenge the honor of the lady, embarking on a quest that leads him through various perils and encounters. His journey sets the stage for themes of valor and love as Erec strives to prove himself worthy, ultimately leading to his romantic involvement with Enide and the promise of her marriage. The romance illustrates not just action and adventure, but also explores the emotional and social dynamics of courtly life in a quintessential chivalric manner.
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